Click here to download a pdf version of the resume: webresume
Tony Perry
AEA – SAG-AFTRA
| FILM/TV | ||
| PAUSE WITH SAM JAY | Featured (VO) | HBOMax |
| MICKEY | Principal | Hugh Wilson, Director |
| LOVE MONKEY | Co-Star | Fox Television, dir. John Fortenberry |
| FINDING OZ: A JOURNEY HOME | Featured | Derek Scott, Director |
| Falling for Grace | Featured | Fay Ann Lee, Director |
| THEATER | ||
| THE REMARKABLE MR. HOLMES | Inspector Lestrade | North Coast Rep, dir., David Ellenstein |
| FIVE GUYS NAMED MOE | Big Moe | Westchester Broadway Theatre, dir., Richard Stafford |
| CAROLINE, OR CHANGE (Audelco Best Revival) | Bus/Dryer | Astoria Performing Arts Center, dir., Dev Bondarin |
| BASTARD JONES | Squire Allworthy | The Cell, dir., Marc Acito |
| AIN’T MISBEHAVIN | Ken | Westchester Broadway Theatre, dir, Richard Maltby Jr. |
| THE KILLER (Play Reading) | Berenger | Lafayette Salon Series |
| A WHITE HOUSE CANTATA | Lud | Montclair State Univ., dir; Gary John LaRosa |
| HANK WILLIAMS: LOST HIGHWAY | Tee-Tot | Riverside Theatre, dir., David and Sherry Lutken |
MORE THAN ALL THE WORLD | King Edward “Longshanks” | Theater For the New City, dir. Rachel Klein |
| 74 GEORGIA AVENUE (U.S. premiere)(play) | Joseph | Folksbiene (National Yiddish Theater), dir., Bob Dishy |
| SHELTER IN OUR CAR (world premiere) | Papa | Symphony Space, dir., Rajendra Ramoon Maharaj |
| ALLEGRO | Ned Brinker | Astoria Performing Arts Center, dir., Tom Wojtunik |
| THE BONUS ARMY | Ensemble | The Gym at Judson, dir., Russell Treyz |
| THE GROOVE FACTORY | Uncle Joey | NYMF, Dir. Tom Wojtunik |
| MARTIN: A NEW MUSICAL (Strouse/Lee) | Daddy King | Negro Ensemble Company, dir., Jeffrey B. Moss |
| MEMPHIS | Delray | Arkansas Repertory Theater, dir. Lynne Formato |
| AIN’T NOTHING BUT THE BLUES | Ron | New Stage Theater, dir. Peppy Biddy |
| CROSS THAT RIVER | Preacher | Eugene O’Neill Theater Center, dir., Michael Bush |
| PARADE | Jim Conley / Newt Lee | Farmers Alley Theatre, dir. Kathy Mullay |
| DREAMGIRLS | Marty | ReVision Theatre, dir. Jamibeth Margolis |
| FIVE GUYS NAMED MOE | Big Moe | Pioneer Theatre, Utah, dir., Patti D’Beck |
| ME AND MY GIRL | Parchester | Capitol Theater, Harrisburg |
| SMOKEY JOE’S CAFÉ | Victor | Irving Street Rep |
| REPO: THE GENETIC OPERA | Nathan/Repo | Wings Theater, dir., Terrance Zdunich |
| READINGS | ||
| FEMALE TROUBLES | Stage Directions | Bucks County Playhouse, dir., Scott Ellis |
| REBEL GENIUS | Max Planck | Dir., Matthew Puckett |
| CARVER | George Carver | Negro Ensemble Company, dir., Nora Cole |
| UNDERGROUND | Ensemble | NEC, dir., Ben Harney |
| BRAN CASTLE | Maestro | Dir., Rachel Klein |
| GOOD TIME CHARLIE | Lou/Sheldon | Primary Stages, dir., Danny Sharron |
| VOICE OVER | |
| Numerous narrations and characters for films and audio podcasts; Several musical recordings for film, recording artists. Has home studio. | |
| INDUSTRIALS, COMMERCIALS | |
| List available upon request | |
| TRAINING | |
| Master Class for Actors: George DiCenzo; Auditioning: Richard Sabellico; On-Camera Auditions – Paul Michael; Voice Over: Paul Liberti; Voice: Lucas Day Richter; Improv/Green Screen: Joe Schiappa; | |
| Bachelor of Humanities — Penn State University | |
| SPECIAL SKILLS | |
| Singer/Songwriter; Dialects: New York, southern, Jamaican, have performed in Yiddish; basic piano, intermediate acoustic guitar; vocal range: low A to high C. |
Tony Perry 
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